This course studies British poetry and prose written mainly between 1780 and 1832 by such writers as Blake, Wordsworth, Coleridge, Keats, Shelley, Byron, and Wollstonecraft. One recent seminar concentrated on Romantic poets, whose anxieties about the possibility of representation (also about the allied possibilities of likeness, of difference, of repetition, of sympathy, of redemption, and of freedom) produced some of our most provocative critical mythologies, inexplicit allegories of reading and identity.